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Vikayra – The Transformative Art

This is post 250, a Paper Pill about a psionic ability.

One of the things that can be tricky with psionics is the dreaded table in the 1e PHB that determined one-off psionic talents. I keep thinking that there should be one-off talents available that are not listed as powers for a psion. I also think that there should be a similar table for the freak ability to be able to cast a cantrip or 1st level spell (not Magic Missile).

One of the psionic abilities included in the one-off talent table is Vikayra. Vikayra represents the ability to morph one object into another. The rules governing this ability are pretty straight-forward:

  • The target cannot have flesh.
  • The target object cannot be worn by a living or undead creature.
  • This ability cannot be used to create something that the wielder has never seen.
  • This ability cannot be used to create a construct (though it can be used to destroy one)
  • This ability cannot be used to create a living thing, except for non-magical plants.
  • This ability cannot be used to create complex objects like armor, weapons or machinery.

Basically, the wielder could use this power to turn lead into gold, a sword into bread or an unworn set of armor into a small stand of trees.

What prevents the wielder from becoming their own private factory or personal mint is that the transformation requires some value to be lost. When using Vikayra, the resulting object is always of less value than the original object.

In game terms this means that an object worth 100gp can be transformed into another object with a value of less than 100gp. At the first level of ability, the new object would be 5gp value max. At higher levels, the value climbs to a peak of about 95 gp.

Another limiting factor of Vikayra is the range of effect. When the power first manifests, the wielder can only affect an object that he or she can touch. As the wielder grows in their ability, he or she can affect objects at some distance away. To affect object at a distance, though, the wielder must be looking at the object he or she is attempting to transform.

Lastly, while practitioners of the transformative art grow in their craft, they can train to reduce the amount of value lost *or* train to affect objects at a distance.

Any other ideas are totally welcome. I'm hoping to hammer this out into something more detailed and useful.

The World Beside

The teacher placed a pyramid before her student and asked, "What do you see?"

The student replied that he saw a pyramid. All the triangles of the pyramid were the same size and each face had a different color.

"Very good," she said. Walking around the student to stand behind him, she leaned in close and asked again, "What do you see?"

Puzzled, the student repeated his earlier description placing emphasis on the individual colors of the pyramid faces.

After a brief pause, she asked, "Can you see the green side as it sits before you?"

"No," the student replied, "I cannot see it because the pyarmid is resting on its green side. I can see the yellow and blue faces," he added, "with the red face on the back."

"Can you  see those three faces at the same time?"

"No, teacher, I cannot."

"You will."

Time passed. The student felt a bead of sweat crawl its way down the outer edge of his face. It lingered on his chin for an eternity of silence before dropping to the floor.

"Look again," the teacher intoned, "you can see the yellow and blue and red pyramid faces because you know that they are there."

For a long time, the student stared at the pyramid. The sweat that first began to appear as random dots began to form a small stream. Tears began to well in the students' eyes. They also joined the river hurtling toward the floor. At his chin, the drops fell faster and faster.

"I see them!" the student shouted. "I see all four faces of the pyramid!"

The sweat streaming from his chin disappeared into nothingness before hitting the floor. A dot of blood appeared just above his hairline and stretched into a ribbon of red as it moved toward the river of sweat and tears.

The teacher was pleased that the student had progressed much farther than her expectations. She asked herself if he had really said that he saw four faces instead of three. She dared herself to push his talents and submitted another challenge.

"What is inside the pyramid?"

Three more dots of blood appeared on the students' head. The red ribbon was more distinct now. His face betrayed no sense of strain, only a look of contemplation and a half-smile on his lips.

"I see a box," said the student.

The teacher's smile grew broader. She was quite impressed with her apprentice. He has progressed farther that she had at this point in her training. She began to entertain ridiculous thoughts about the power her student possessed.  She wondered if she was the teacher prophesied to give birth to the Master of the World Beside.

Dispelling her foolish notions, she refocused on the purpose of her training. She had brought him here to teach about their common heritage. This temple was the place where the ancients meditated. In this place, the ancients pulled knowledge from the Word Beside. This knowledge brought enlightenment to the world and saved their kind from destruction and ruin for hundreds of generations.

"You have the Prapatra and Chayda," she told her son. "You can see things as they really are."

The boy betrayed a bit of excitement at his mother's words. Pursing his lips, he reached toward the pyramid.

"Let me take the box," he said.

The mother had turned her back on him while she was lost in thought. Turning back at his words, she cried out to stop him from making a grim mistake. He had not learned enough to find his way back.

"NO!"

His hand disappeared into the blue face of the pyramid and grabbed the box that sat inside. Finding it too heavy for one hand, he reached the other toward the box. His other arm sunk up to the elbow into the yellow face of the pyramid. With a great pull, the edge of the box emerged from the red face of the pyramid.

His mother was not using the Prapatra and Chayda, so she did not see the box emerge on the opposite side of the pyramid. She stood helpless, hoping that her son would find his way back. She knew that breaking his concentration now would kill him for certain.

"One more pull," he said and the entire box emerged on the opposite side of the pyramid. His arms and hands reappeared out of the left and right faces of the pyramid. His entire body appeared whole again.

Closing his eyes, he broke his concentration. Before he could open them, his mother's hands covered them.

"Do not open your eyes until all the colors pass." she said, "Your life depends on it!"

As the rich colors of the rainbow cascaded in his perceived sight, he felt a slight pressure on his entire body, inside and outside. There were voices in his mind. Some were whispering, others were talking in a language he did not understand. What began as a great noise soon faded into a single whisper.

"Beware," said the voice before it disappeared.

As the colors faded into the dull light of his eyelids, the pressure disappeared. When his mother removed her hands from his eyes, he opened them to see her sweat-rimmed face.

Forgetting his place, he asked, "How did you get in front of me when you were covering my eyes from behind?"

Relieved, she only said, "You will learn this and many more things in your future training."

She handed him a cloth to clean his face and chin. The ribbon of blood on the cloth reminded her of the dangerous journey her son had just taken.

"Now, my son, let's go see what's in the box." Ω

Paper Pill – Astral and Pranic Travel

Traditionally, D&D mentions the silver cord in regards to Astral travel. The cord allows the traveler to find his/her body again. If the cord is severed, the traveler will never find the host body again.

Although the notion of a silver cord has many sources, one notable source, especially for the Western world, comes from Ecclesiastes 12:6. In this verse, the author also mentions a golden bowl. This sparked an idea that generated this post.

In the modern world, the term Astral travel is used to describe travel to other dimensions as well as out-of-body experiences. Just for the sake of argument, let's give separate names to each distinct experience. Some call out-of-body experiences etheric travel or etheric projection. Since the cosmology of my game has no ethereal plane, I'll choose something different. (I couldn't find the adjective form of prana, so I coined the word pranic.) So we have astral travel to describe travel to other planes of existence and pranic travel for out-of-body-but-still-on-Earth travel.

Where does this fit with Eccl 12:6? The silver cord is a description of Astral travel. How would a golden bowl fit with Pranic travel?

I've read a lot of Bible commentators mention that the Golden bowl speaks about the head as the container of the mind. Other philosophies, based on my incomplete research, seem to bear this out. Now I don't want to call this a golden helmet. After all, there is only one Golden Helmet. Still, the idea appeals on several levels.

I like the idea of traveling in the Prime Material Plane, but leaving the body behind. Sure, there are some dangers in doing this, but it is faster and relatively more safe to travel this way. Although mages would undoubtedly use this method of travel or reconnaissance from time to time, this feels more appropriate for a psionic character.

Maybe the pranic traveler sees the bowl resting in the hands of the body. Maybe the traveler can always see the golden bowl, regardless of distance from the body. In this case, the bowl would also show the direction of the body.

Another idea would be that the traveler see's the body's skull as shining in golden light. This ties into ideas of the golden bowl being the vessel for the mind. I also like the idea of seeing a golden skull.

Although it doesn't feel as creative, there could also be a golden cord that attaches to the back of the head, instead of a silver cord that attaches to the middle of the back. Thinking of it in terms of two cords makes me think of this as an insurance policy for the astral traveler - if one is cut, the other will still lead back to the body.

How would you visualize the golden bowl?

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