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Alternative to Kickstarter

On G+ earlier tonight, I posted about a different type of crowdfunding site. The site is called Patreon and it features a different system intended to reward content makers for making new content.

I've tried to explain it, but I really can't explain it better than they can. Here is the basic idea from the FAQ:

General Questions

  • What is Patreon?

Patreon lets fans become patrons of their favorite artists and content creators. Unlike other fundraising services that raise for a single big event, Patreon is for content creators who create a stream of smaller works, like youtube musicians, bloggers, comic creators, etc.

  • Who can be a content creator on Patreon?

Anyone! All you need to do is setup your creator profile on the site and then tell your fans about it.

  • What are the benefits of Patreon?

As a content creator:

  • Get funded for working on what you love
  • Give back to your most passionate fans with rewards
  • Continue growing your fanbase with our social tools

As a patron and fan:

  • Support the artists and content creators that you care most about
  • Get rewarded by your favorite artists with pre-sell concert tickets, personal gifts, hangouts or meet & greets, or anything else they can offer as a way to say thanks
  • Spread the word so others can support your favorite artists and content creators

I see folks like Autarch with ACKS doing Kickstarter after Kickstarter and it works for them. They have about 115K for income in about 94 weeks. That's just not bad, you know?

They are always making content, interacting with their fans, being human when criticized and most importantly, they make a great game.

So what would it look like if a game company made more content, more often? The closest thing that comes to a Patreon type of thing is dungeonaday.com Pay 60 or 120 USD and you get lots and lots of great content in an easy to digest format. Yet Patreon works differently...

Note: I am not knocking dungeonaday.com. They have a great business model, I only use them to show differences in business models.

Dungeonaday - buy a subscription, get everything. I assume that subscriptions are renewed yearly.

Patreon - Pledge a certain amount of money for a creative work, pay only for things you want. Cap your expenses if the artist you patronize is really prolific. 🙂

Neither one is a bad idea, just different.

So if it's not Kickstarter and not Dungeonaday, what would a successful game creator on Patreon look like?

Well, there would have to be enough free content to get an idea of the type of games and game materials the game creator makes. Patreon provides a platform to do this, but some of the most successful content makers on the site also take advantage of personal blogs, YouTube and other sites.

A successful game creator would also need to interact with people interested in his/her games. Patreon provides a platform for this as well, but I would imagine the bare minimum would be a presence on Google Plus and Twitter.

So a game creator makes some cool stuff that you can get for free. What reason is there to pay money? Money would have to offer some kind of access, special content and/or varying degrees of creative control. I'll talk about this more with a specific example.

Joe makes games. He decides to setup a website at joesgames.com He joins Google Plus and Twitter and begins to follow some other users. He also sets up an account on Patreon.com.

He could run a Kickstarter to get off the ground (like Autarch), but decides to write about games he loves and smaller games he has already written. He posts on his blog, patreon.com, and Google Plus. He gets to know some other gamers, participates in GAME BLOG DAY and interacts with others, as he is able, on Twitter and Google plus.

With cross-posting on Patreon.com, someone asks about the whole money thing. This gives him a chance to explain that he can create more games if folks become patrons of his work. Maybe the first patron posting nets only a dollar, but it is something, you know?

As he talks to others, he also explains that patrons get games early, help playtest and have the ability to get special items. He may even decide that to sell his games at DriveThru__ - but only after patrons already have the games for three weeks.

What about special items? For his role-playing games, he can make cool things like a Pocketmod book. Let's say Joe has a maker friend, he could make a few minis (only about 10) or special tokens or other cool things. The special items don't have a limit. He could get the folks at Artisan Dice to make a few custom sets of dice as giveaway to the largest patrons.

If a patron believes he is good enough, that patron could even request the creation of a specific game.

None of this prevents Joe from giving away stuff, selling inexpensive pdfs, selling printed copies through DriveThru or Lulu or even making box sets.

Sure it is not a guarantee. Joe may make crappy games that no one likes but him and his mom. Still, it seems entirely possible that this type of business model could work for someone.

What do you think?

 

Wednesday Fast Approaches

SW-Appr-Day-Logo

 

In case you have not already heard, April 17th is Swords & Wizardry Appreciation Day.

The good news is that I have a bunch of half to mostly finished ideas to draw from. The bad news is that my life and brain seem determined to keep me from finishing just one idea. Gamer ADD can be the opposite of fun sometimes. 🙂

I posted this list on G+ in the S&W Community, but I'll post it again here. What would you like to see?

  • More uses of the Turn Undead mechanic.
  • Psionics for S&W that defines the psionic character class by what he or she fights (incorporeal creatures including ghosts and shadows).
  • Mechs/hovertanks for S&W.
  • Re-imagined (not just serial numbers filed off) spelljammer like setting.
  • Hewcasting - a form of magic that temporarily strips the target of its essence. That essence is then used to cast spells, research magic or create magic items.
  • Ghost generator (with the assumption that ghosts are not undead.)
  • SE Asian inspired classes/magic/items etc.
  • My house rules in multiple electronic formats (including .chm).
  • Anything Almuric
  • Dragon Magic (they have a built-in awesome delivery mechanism)
  • Priests of Different Mythoi
  • A petty god of the Reincarnated, the Wrongly Re-formed and the Poorly Polymorphed
  • Sideways Time Travel

I'm not saying that I make the greatest gaming stuff ever or anything like that. But it would help me focus to know if there is interest in any of the ideas. I'm not objective, I tend to see the "big flaw" in some of these things and decide that publishing them isn't worth it.

Feel free to comment here on on the G+ Post.

The Numbers of All Things – A Thought Expirement

This post may seem to be stream of conscious, but the main point centers around having a reason why a setting works the way it does and why people in the setting have the superstitions that they do. Taking the ideas in this post to the extreme can lead to some extreme associations, so caveat emptor. So here are thoughts about my southeastern Asian setting based on setting up a number system to categorize elements within the game world.

Tanah-Con-Rahn is a reorganization of a setting I began developing for Nevermet Press some time ago. I want to make sure that others that contributed to it feel like I am not stealing their ideas. So for example, there is no City of Spires in Tanah-Con-Rahn, because John Schutt had a killer idea of an perpetually dying god and various city factions trying to find him. All I did was name the place, John added the awesome.

With recent work on a Verb/Noun magic system, I've begun to work out how magic will work in Tanah-Con-Rahn. Based on an earlier post about how nouns are classified in other languages, I plan on offering NPC wizards with some very unique nouns.

Of course, psionics and ghosts play their part as well. The ACKS Psionicist allows for a specialty in dealing with ghosts that fits a niche for specific settings. Mixing southeast Asia and psionics seem to go together like peas and carrots.

Tonight, though, I was going through some math in my mind in an attempt to go to sleep. While pondering various number sequence, I got out of bed and googled the concept in my head. It turns out to be called the digital root. Digital roots can be laid out in a nine by nine grid to produce a Vedic Square. If you fill in the Vedic Square for a specific number, so get some interesting geometric designs that show some kind of symmetry.

Dude, seriously, you're putting me to sleep. What does this have to do with gaming.

The short answer is that the geometric designs with distinct patterns for numbers 1 through 9 provide a visual code for 1st through 9th level spells. I wouldn't use it much in-game as much as between games in an effort to provide small touches of "otherness" to the setting. I know a lot folks like me that will remember the symbols as a way to classify various power levels of spells. It may not be your thing, and that's okay.

Building on these patterns, I can scrawl some rune-looking glyphs to place throughout a dungeon, wizard's tower, etc. Since libraries are a big part of Tanah-Con-Rahn, the nine glyphs can be used to classify non-fiction material. For priests, the glyphs can represent the eight paths of righteousness and the one path of destruction. Since the present noun/verb system allows most spellcasters to access a specific set of nine verbs only, I could assign one glyph to one verb as a way to list the spells. Rainbows have seven colors. If you include white and black, you have nine colors, one glyph for each color. The list of things can go on and on.

By creating these multiple associations, it provides some subtext for a world without having to write six or seven novels of backstory. These nine patterns have meaning throughout the setting and it can mean different things depending on context. It's not all about magic, like the colors of the rainbow example, and it shouldn't be.

None of this is really game crunch, not yet. Here's where some really out there stuff can help create a seemingly random groups of spells. You can make the group my a mathematic principle instead of effect. Players may forever wonder why every school has a create spell, but if they ever want to know, you can send them on a wild goose chase to find the answer. Here's how it works:

The spell creation system works by assigning effects on a scale of 0 to 8. Then rating the duration on the same scale. Then rating the Range. Then rating the Area of Effect/Number of targets on the same scale. Using the numbers, every spell can be a unique four digit number. Take the digital root of the number and classify the spell book accordingly. In the current draft of the spell system, this would put Create Water and Speak with the Dead in the same school of magic.

Astute players will look at the PHB and see that spells with certain difficulties are grouped together, but at first glance it won't be obvious. Spells with a difficulty of 15 and 6 will be in the same school. One school will be only spells with a difficulty of 9.

Many will probably never, ever care about any of this. But for me as the GM, it lets me sound like a wizard or a numerologist or a half-witted "prophet of doom" that sees patterns in everything. It also lets me sound like a sage that seeks to classify all knowledge according to what he/she perceives to be a universal pattern, like Aristotle. It even lets me throw in day-to-day stuff like why common folk find some numbers lucky in certain situations, but bad in others.

In Tanah-Con-Rahn, the number you are born under (digital root of birthdate) are a boon to specific abilities that benefit a character depending on their class. Others may have a bane, thus they are driven to vile magic, pacts with demons or other horrendous things in an effort to escape their destiny. With some effort, I can come up with a sort of nine month zodiac for beneficial animals or totems and another for detrimental animals.

The number you train under for magic can dictate why some wizards cannot wear certain colors. Such a number would be determined by a number from 1 to 9 that you assign to the verbs of the magic system. The first verb a mage learns determines the number they train under. Nine minus that number corresponds to the color that would be the color that they cannot wear.

Anything you can rate from 1 to 9 will work for this system.

Enjoy!

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